I’m currently revisiting part of my childhood by rereading a comic I haven’t read since 1978. You can read along with me, thanks to the sterling efforts of the people behind Starlordcomic.com, which hosts scans of the comic book for browsing. I have already read issues one through six, and now it’s time for issue seven. Before I start, though, I must mention that 1978 was a very different time. The world has moved on in so many ways since then so I always wonder, when I start reading one of these issues, whether it will be hugely dated. So far Starlord has held up pretty well, so fingers crossed for this issue.
The date is clearly visible on the cover of this issue from 24th June 1978. You’re The One That I Want by John Travolta & Olivia Newton-John was number 1 on the charts, while The Smurf Song was number 2. The Flashing Blade and Kojak were on TV, Jaws 2 was on at the movies, Evel Knievel was a folk hero and we all wanted his action figure and bike. But, more significant than any of these cultural highlights, Star Wars was still casting a long shadow over the entertainment of the time. We’ll see that, I’m sure, when we start reading. So here goes.
For only the second time in the comic’s run, this week the cover relates to a scene from one of the stories within. It’s not a great illustration, though I suppose the painting of the elephant is dynamic. There are more great covers coming in the future (actually the past) so, thankfully, we don’t have to spend long on this one. Let’s open the issue up.
As usual, Mind Wars is the first comic strip, and it is the one that most closely follows the sci-fi template set by Star Wars, with desert planets, alien cantinas, mind powers, and all the rest. Obviously, I absolutely loved it, and I’m enjoying rereading it now too. I have praised the art of Jesus Redondo on this blog before, but this week I would like to give special mention to his ability to draw spaceships. I spent many long hours trying to draw spaceships the same way, and I still notice his influence when I’m putting a spaceship down on paper, rather than designing it in 3D in Blender. There is a mix of smooth metal panels and abstract greebles that works very well. I especially like the larger spaceships he draws, such as the Strike Ships that blow up the planet the heroes have just escaped from. Another scene that is very redolent of the first Star Wars movie, Episode IV.
The next strip is Ro-Busters, a strip about a bunch of second-hand robots used as expendable rescue workers when future disaster strikes. This week, our disaster is aboard an orbiting, fully robotized, hotel: The Space Ritz. This is lovingly imagined as a cross between a luxury hotel, the house of the future, and Westworld. Even the robots you play tennis against are programmed to lose, to increase your holiday fun. The hotel’s motto is:
A robot holiday means less to pay and more time to play.
It’s in this story that the comic starts to show its age a little, with depictions of female characters that are all about the male gaze. Illogically, you even have robots catcalling and honking their horns at a human female, which doesn’t make any sense at all. They have to be threatened with destruction just to stop them wolf whistling.
Thankfully disaster strikes, and we move from 1970s sexual politics to action. One of the hotel robots kills a human and initiates a robot revolt. The plucky robots of Ro-Busters hear about suspicious activity and go to investigate. Hilariously, a robot called Ro-Jaws compares their mission to being like Srarsky and Hutch. The show was huge back then, and we all loved that car. Thinking about it now, I’m pretty dubious about how likely a scenario it is for a robot from the year 2078 to be watching Starsky and Hutch on video tape, but I didn’t even notice the anachronism back then.
This episode is all set up, apart from the reader being allowed a glipse of the start of the robot rebellion, and I am looking forward to all the action I imagine is coming in next week’s installment.
Next comes Strontium Dog, a story that started in Starlord back in 1978, and is still going strong. There is even a fan film based on it, that is surprisingly good. As usual the art by Ezquerra is moody, organic, and dark, just the way it should be in this dystopian future. This week’s story finishes with a very effective image of Johnny Alpha surrounded by multiple mirages of the bad guy. The alien design Ezquerra has come up with for this villain is bulky and intimidating, and very definitely makes you feel that our hero is in trouble.
The penultimate story is Planet of the Damned, which started out strong, but this week has another installment that isn’t up to the promising start of a few weeks ago. For example, we have a ridiculous scene where our hero brings down an elephant by smacking it on the leg with a sword. I remember that, even as a kid, I just didn’t buy that.
Then comes the last story in this week’s issue, TimeQuake. I’m not a fan of TimeQuake, but there was one moment in this episode that I liked. One of the Time-Control Operatives is a woman who can shapeshift, which reminded me of Maya from Space 1999, who has the same powers, and also rocks a futuristic uniform. Starlord really is steeped in its time, this issue more than many, and that makes it even more fun to read, at least for me. I’m absolutely looking forward to the next one already.
Read my thoughts on issue 1 of Starlord here.
Read my thoughts on issue 6 of Starlord here.
Read my thoughts on issue 8 of Starlord here.
Galaxy Dog (Dark Galaxy) Start Reading the Dark Galaxy Trilogy
The first book in the Dark Galaxy Trilogy, always the best place to start, is Galaxy Dog. It’s a little more old-school and fun than a lot of the sci-fi that is around at the moment. It has spaceships, robots, battles, and brave warriors rebelling against an evil empire. Click the book cover and go to the storefront you prefer to buy it now, or follow this link.
This is a universal book link (UBL) and you will be greeted with a page displaying all the places the book is available online. Just select the storefront you prefer and, if you want, also make this your default bookseller. From then on, every time you click a UBL you will be taken directly to the book you are interested in, on the storefront you prefer. The UBL even allows you to go to the Amazon store that matches your region.