I would recommend jumping in at episode two with Lost in Space. It’s a great series but the slow and clunky pilot doesn’t do it any favors. Episode two, on the other hand, throws us right into the middle of the action. It starts with a great scene, featuring a space explorer called Don West and his chicken in mortal peril. The pilot episode was almost all setup, the sort of thing a viewer with even half a brain just does not need.
I have been a fan of The Walking Dead since the first season, and I also enjoy its spin off, Fear the Walking Dead. Neither show is perfect, but I love them anyway. Fear the Walking Dead was initially set in Los Angeles, California, then moved to Mexico. The series follows a dysfunctional, blended family composed of high school guidance counselor Madison Clark, her English teacher partner Travis Manawa, and their kids, Alicia and Nick.
This is a sci-fi blog and so it shouldn’t be too difficult to guess that I am a big fan of Janelle Monáe. Monáe has been around for more than a decade, but I first noticed when The ArchAndroid, her second studio album was released. It incorporates conceptual elements of Afrofuturism and science fiction in a tale of a messianic android. It features lyrical themes of love, identity, and self-realization. The album has been compared to the work of artists such as David Bowie, and Prince.
I wasn’t super confident about the Runaways, probably for no better reason than because the Netflix superhero shows have been misfiring recently, including Iron Fist and The Defenders, which I enjoyed but which could both have been better. And a more direct rival, The Gifted, was also a little underwhelming. “What chance have HULU, of all people, got of getting this right, where others have failed?” I thought. There was never any question of my doubts actually preventing me from watching it though.
Stranger Things is a love letter to the 80s based around a young boy vanishing into thin air. As friends, family and local police search for answers, they are drawn into a creepy and atmospheric mystery involving top-secret government experiments, terrifying supernatural forces and a very strange little girl. Season 1 of the show has a score of 96% on Rotten Tomatoes, while Season 2 has the slightly lower score of 94% on the same site.
I just watched Star Trek: Discovery episode 3, Context is for Kings, the other day, and the show is taking on the shape I assume it will have going forward. We now move to Discovery itself and Michael starts to interact with the rest of the crew, including some of her former crewmates from her previous ship. I like a lot of things about this episode, and about what I assume the show is going to be.
We once again live in a world where Star Trek is on TV, for the first time since Star Trek: Enterprise finished in 2005, and I would be remiss as a sci-fi author and blogger if I didn’t write a post to mark this momentous moment in popular culture. I wouldn’t want to be remiss, so here comes my hot take. With only two episodes broadcast it’s too early to say for sure what this show is going to be, but I love what I’ve seen so far.